From its premiere to the present day, the suite has been enduringly popular, influential, widely performed and frequently recorded. The work was not heard in a complete public performance, however, until some years after it was completed. Although there were four performances between September 1918 and October 1920, they were all either private (the first performance, in London) or incomplete (two others in London and one in Birmingham). The premiere was at the Queen’s Hall on 29 September 1918, conducted by Holst’s friend Adrian Boult before an invited audience of about 250 people. The first complete public performance was finally given in London by Albert Coates conducting the London Symphony Orchestra on 15 November 1920.
The need to comprehend and explain our origins--the world of natural phenomena--cannot be properly viewed as exclusively scientific. Instead, it should be viewed as something generally human. Through enchanting, magical narratives involving super-human heroes and heroines, as well as anthropomorphic gods and goddesses, ancient pre-scientific societies attempted to explain and make some order out of the mysterious complexities of the Cosmos. Earth's Moon has always held a place of special fascination for our species, inspiring our human imagination to escape its troubling limitations and--as we search beyond our Earthbound lives--help us to move towards an understanding of who we are, in all our human complexity. Therefore, ancient gods and goddesses mimic our bewitching Moon's unending, gentle tug on the forces of life. In this sense, it may be detrimental to completely dismiss these ancient myths--ascribing them to an unsophisticated and archaic past. Vast regions of dark dunes also extend across Titan's exotic landscape, especially around its equatorial regions. Unlike Earth's sand, the "sand" that creates Titan's dunes is composed of dark grains of hydrocarbon that resemble coffee grounds. The tall linear dunes of this misty moisty moon-world appear to be quite similar to those seen in the desert of Namibia in Africa. Because Titan's surface is pockmarked by relatively few impact craters, its surface is considered to be quite young. Older surfaces display heavier cratering than more youthful surfaces, whose craters have been "erased" by resurfacing. This resurfacing is caused by processes that cover the scars left by old impacts as time goes by. Our own planet is similar to Titan in this respect. The craters of Earth are erased by the ongoing processes of flowing liquid (water on Earth), powerful winds, and the recycling of Earth's crust as a result of plate-tectonics. These processes also occur on Titan, but in modified forms. In particular, the shifting of the ground resulting from pressures coming from beneath (plate tectonics), also appear to be at work on this veiled moon-world. However, planetary scientists have not seen signs of plates on Titan that are analogous to those of our own planet. Only recently have space missions begun to solve this beguiling Solar System mystery--that a small number of distant moons have been successfully hiding, from the curious eyes of astronomers, life-sustaining liquid water beneath secretive shells of ice.